TRW is pleased to offer this exceptional and diverse collection of monologues, thoughtfully selected from the rich tapestry of plays we are proud to publish.
These outstanding monologues come from an eclectic group of contemporary playwrights, each with distinctive voices and styles — comic and dramatic, experimental and naturalistic, traditional and innovative — and written for a wide array of characters.
In this book, we know you’ll find monologues that are perfect for your auditions and theater classes.
TRW is pleased to offer this exceptional and diverse collection of monologues, thoughtfully selected from the rich tapestry of plays we are proud to publish.
These outstanding monologues come from an eclectic group of contemporary playwrights, each with distinctive voices and styles — comic and dramatic, experimental and naturalistic, traditional and innovative — and written for a wide array of characters.
In this book, we know you’ll find monologues that are perfect for your auditions and theater classes.
Eddie Jaku’s story is one of unimaginable grief and tragic loss, yet it is also a testament to the indomitable spirit of the human soul. Defying all odds, he declared himself “The Happiest Man on Earth,” a testament to his resilience and determination to find light even in the darkest circumstances.
Summer 1962, and Dwight Eisenhower, two years out of office, discovers that The New York Times has published the first historians’ ranking of American presidents in order of greatness—relegating him to the “Mediocre” class. Furious, but fearful they may be right, he looks back on the lessons of his Kansas youth, his military life, and his presidency, to question their definition of political and American greatness—and his own. A human and often humorous solo drama, EISENHOWER: THIS PIECE OF GROUND is a highly entertaining piece of theatre, and a compelling reminder of what lies at the heart of democracy.
When he was twenty-three, Edgar Oliver found The Pyramid Club in New York City. This long-gone ghost of Avenue A became a home for all artists and outcasts, and the first stage Edgar ever performed on in the city. In the dark recesses of this magic theatre, Edgar found the voice that brought all the sorrow and glory, the solitude and companionship of his early life into the hearts of his audience. The Pyramid Club created the beautiful, heart-broken, and triumphant person he is today.
A voyeuristic prefiguring of Samuel Beckett’s “Krapp’s Last Tape,” and a hilarious and heart-breaking window on the last moments of youth. Reeling on his 39th birthday, an actor’s obsessive identification with Beckett’s famous character compels him to examine his own quixotic life: his fears, his failures, and his search for (and forfeiture of) love, all in preparation to record a version of the 39-year-old Krapp’s soliloquy to be used in an imagined production of “Krapp’s Last Tape” thirty years in the future.
Conceived and Created by The Educational Theatre Association and The Cincinnati Black Theatre Artists’ Collective
Featuring Monologues by Candice Handy, Ariel Mary Ann, Derek J. Snow, and Torie Wiggins
Finding Voice: New Works for Young Theatre Artists of Color features newly created monologues and works from four dynamic Cincinnati Ohio Black playwrights written for use exclusively by High School and Middle School aged students of color.
Created through a partnership between the Educational Theatre Association and artists from the Cincinnati Black Theatre Artists’ Collective, Finding Voice brings the authentic voices of Black youth to a series of monologues perfect for use in monologue competitions and educational settings to add to a young actor’s repertoire.
The Next Narrative™ Monologue Competition, Vol. 2 features newly created works from eleven of America’s leading contemporary Black playwrights that engage students in artful exploration of 21st century themes, while instilling confidence in all to find their voices. The program objectives are to introduce students to today’s leading contemporary Black writers, expose students to acting techniques that enhance their knowledge of the art and skill of performance, utilize the arts to support students in making co-curricular connections, investigate how history and culture influence personal perspective through artful exploration, and embolden students to use their voices to inspire social action.
The Next Narrative™ Monologue Competition, Vol. 1 features newly created works from twenty of America’s leading contemporary Black playwrights that engage students in artful exploration of 21st century themes, while instilling confidence in all to find their voices. The program objectives are to introduce students to today’s leading contemporary Black writers, expose students to acting techniques that enhance their knowledge of the art and skill of performance, utilize the arts to support students in making co-curricular connections, investigate how history and culture influence personal perspective through artful exploration, and embolden students to use their voices to inspire social action.
A witty contemporary comedy that follows one person’s journey through a heart attack, a gay marriage, an obsession with Cher, and a trip to a concentration camp. So, yes, it’s a comedy!
In this intimate ghost story, Mary Jane Kelly has a problem. She’s a pound forty behind in her rent, her window is broken, she has lost her key, and her boyfriend just moved out. And it’s 1888—not a good time to be poor and “unfortunate” on the streets of London. Somewhere out there in the foggy shadows, Jack the Ripper, one of the world’s most notorious criminals is at work. Mary only has two ways to secure her own front door. One of them is prostitution. The other is selling something she shouldn’t have in the first place, something she’ll have to betray her murdered best friend and herself to give up.
WINNER of the Best Playwright Award at Origin Theatre’s 1st Irish Festival
THE SMUGGLER is a Thriller in Rhyme. It’s 2023. Tim Finnegan is an Irish immigrant trying to make it as a writer on Amity, an affluent summer colony in Massachusetts, where tensions flare between the migrant and local communities after a fatal car crash. When he loses his job as a bartender, Tim gets drawn into the dark underbelly of the island. THE SMUGGLER examines how far one man will go to restore his self-respect and asks the question, “What does it mean to be an American citizen today?”
