This play is inspired by the Gospel’s writings of Matthew, Mark, Luke and John and another Gospel, the fragmented GOSPEL OF MARY MAGDALENE. Mary Magdalene’s Gospel, discovered in 1896 in Cairo, Egypt, continues her story, describing a subsequent meeting with the Apostles.
The Catholic Church has consistently diminished the role of women throughout its history. Only recently has Mary Magdalene’s influence has been acknowledged and early claims trying to diminish her as a prostitute dismissed. This play attempts to look at the early, tumultuous history of the church through the eyes a major figure largely excluded from it.
Courtney Berringers would like to welcome you to her wake! But—make no mistake—this ain’t your grandma’s funeral. AT THE WAKE OF A DEAD DRAG QUEEN is an imaginative one-act play that uses magical realism, mythology, drama, and drag to tell the story of a pair of drag queens living (and dying) in rural Georgia in 2004. From African Gods and Goddesses to Trina and Whitney Houston, AT THE WAKE OF A DEAD DRAG QUEEN explores identity, illness, and the celebration of Black, queer life in the rural south. Come party at the wake. Bring your own heels!
PEN PALS is an epistolary play that tells the story of the extraordinary friendship between two ordinary women. Bernie, from Newark, New Jersey, starts writing to Mags, who lives in Sheffield, England, when she’s 14-years-old and their correspondence continues for the next five decades.
The play is essentially an extended flashback where the women read the letters they sent to each other over the past 50 years. Without the aid of costumes, make-up, or wigs, the actors age before the audience’s eyes as they tell the stories of their lives.
Been unemployed too long? Welcome to a very special office of the Unemployment Bureau! Here you will work with two very special unemployment counselors to place you into a job today. It may not be a job you are qualified to do, or a job that’s safe for anyone to do, but you will have to do it. Because if you can walk, you can work!
The play also concerns domestic terrorism, strippers, and weaponized hummingbirds.
At their 10-year college reunion, Aisha and Holly meet by chance. Aisha is a Black, successful playwright; Holly is a white, struggling stand-up comedian. Aisha’s most successful play bears a striking resemblance to a tragic event in Holly’s life. Is it a coincidence or is it theft? They both have a story that they’ve been telling themselves about what happened years ago and they’re both willing to fight for the truth in the present.
ERNEST SHACKLETON LOVES ME is a critically acclaimed new musical comedy with a tongue-in-cheek script by Tony Award®-winner Joe DiPietro (MEMPHIS and ALL SHOOK UP). In this wildly inventive and romantic adventure, a sleep-deprived single mom who makes her living as a video game music composer is contacted across space and time, via a crossed connection on her mobile phone, by the famous early 20th century polar explorer Ernest Shackleton while he is stranded on an iceberg in the Antarctic in the early 1900s. Inspired by her music, he shares his epic journey with her and, together, they overcome the odds in a timeless, and very funny, musical romance for the ages.
In the waning twilight of his acclaimed career, a Pulitzer Prize-winning playwright grapples with the insatiable nature of desire and his elusive quest for fulfillment. When he meets an idealistic young writer who seeks affirmation from his mentor, they embark on a dangerous exploration of their intertwined fates, where longings yearned for by one are held tightly by the other. Their relationship begins with a meeting that oscillates between provocation and playfulness, laying the groundwork for a dynamic that defies the boundaries of mentorship. As the years pass, their relationship shifts from reverence to rivalry and admiration to aggression, culminating in a haunting reckoning that leaves us questioning whether the pursuit of our desires or the fear of their attainment truly defines and fulfills.
For years the government has sought to eradicate those who love in the way that Roan does. After being taken, imprisoned, and tortured, he is now returned home to his mother, Julia. But the sentence is clear: she has but one hour to end her son’s life or face the consequences for her and her entire family. As the clock inches towards a final decision, the battle for life, truth and understanding is shaken by unexpected revelations that challenge preconceived ideas and the true meaning of unconditional love. Inspired by real events.
Winner of the Critics Circle Award at the Adelaide Fringe Festival
A searing drama about bureaucratic chaos in a post-Roe America. After her transcontinental flight is diverted to Dallas, a pregnant woman inexplicably finds herself trapped in a room with a female lawyer who will decide her future. Can Nessa escape this Kafkaesque world of legal precedents and constantly changing laws?
In 1976 Andy Warhol, having re-invented himself as the portrait painter of the rich and famous, travels to Tehran commissioned to take polaroids of the Shah’s wife. Amidst taking in the Crown Jewels and ordering room service caviar, Warhol encounters a young revolutionary who throws his plans into turmoil and opens the pop icon’s eyes to a world beyond himself. A fictionalized portrait of the artist’s famed visit to Iran that leaves you asking, “Who was the artist and who was the revolutionary?”
Jane and Luna run into each other in the grocery store on Thanksgiving in 1973 and discover they have much in common: they’re both 23, recent Asian immigrants, homesick and lonely with hardworking absentee husbands, and adjusting to a new country surprisingly filled with as much political uncertainty as the places they’ve left. Over a bottle of wine (or two) and a questionable frozen turkey, they dream of Disneyland, learning to drive, and an unknowable future as they share their hopes and fears in making a new home in a new reality.
Maude, a lonely, surly, storefront psychic has accepted that love is not in the cards for her. She can see the future and knows this to be true. But when Jeremy, a despondent love-hungry accountant threatens to end it all if she sees no love for him, she must wrestle with fate, and in changing his destiny, change her own.
