Captain James Hook (née Cook), badly maligned by a certain play and despised by generations of Peter Pan fans, finally gets to clear his name. The good Captain, with the aid of his friend Smee, tells his life-story in this family-friendly play, recounting his friendship with and ultimate betrayal by Peter Pan, his romance with Tiger Lily, his familial relationship with the Darling family, and his adoption of a lovable crocodile named Daisy. In narrating his tale, he uncovers the hidden treasure of Neverland, discovers the identity of his long-lost father, and learns the importance of growing up and growing old.
Genre: Comedy
The Forest
Juliet is losing her marriage. Her mother Pam is losing her memory. And there’s a mysterious forest growing in and around their living room. Is it any wonder Juliet starts sleeping with one of her high school students? A play about weird love and what to do when there aren’t any right answers.
Grace’s Land 2.0
Grace is a teenage Spoken Word champion, but can’t seem to complete a simple poetry homework assignment. Accompanied by her piano playing, hip hop dancing and visual artist girlfriends, she designs a virtual land of her own, Grace’s Land 2.0, where they’re free of fixed identities, of the pandemic, of micromanaging parents, and the need to fit into the boxes assigned by others.
Franklinland
The story of growing up as the only son of Benjmain Franklin: the greatest scientific mind in the world, inventor of the lightning rod and the urinary catheter and the glass harmonica and bifocal glasses and, oh yeah, in his spare time the United States of America.
Fairycakes
What happens when those woodland fairies aren’t busy with the business of A Midsummer Night’s Dream? Why, it seems they all have jobs in some of our favorite fairy tales and have very sad love lives—that is, until Puck finds the famous flower touched by Cupid’s arrow. It’s all about love and kindness and accepting change. And it’s funny. Oh, and it rhymes.
Ibsen in Chicago
The world premiere of Ibsen’s controversial play Ghosts took place in Chicago, performed by a group of Scandinavian immigrants: a little known fact. Grimm’s play spins a yarn based on this ‘great reckoning in a little room’ and explores the immigrant experience and opportunities for self re-invention against the backdrop of changing artistic and social mores.
In The Upper Room
A play about family secrets, gossip, colorism, voodoo and the magic of the stories we grow up hearing.
Meet the Berrys, a multi-generational Black family living under one roof in the 1970s. Their lives orbit around Rose, a strong-willed matriarch whose superstitions and secrets drive her relatives nuts. Through pointed wit and playful sarcasm, the family elders share fantastical stories about their collective past that call into question the family hierarchy and inspire the youngest generation to take pride in their heritage (and physical appearance). Tender, comedic conversations between tight-knit relatives are interspersed with moments of intense drama that mirror the internal conflicts every family must face at some point.
H*tler’s Tasters
Three times a day, every day, a group of young women have the opportunity to die for their country. They are Adolf Hitler’s food tasters. And what do girls discuss as they wait to see if they will live through another meal? Like all girls, throughout time, they gossip and dream, they question and dance. They want to love, laugh, and above all, they want to survive.
How To Steal A Picasso
A comic-drama set against the bankruptcy of the Motor City. The Smith family doesn’t agree on much, but when their son Johnny comes home for the first time in four years, they reluctantly reconvene to celebrate the father (a failed painter) winning the Yoko Ono Lifetime Achievement Award for Non-Objective Art. In fact, tonight, Sean (the son of John Lennon and Yoko Ono) is to come to their house and give the father the award personally. But when a Picasso goes missing from the nearby Detroit Institute for the Arts, the family is suspected and Johnny’s homecoming takes a dramatic turn.
Fourteen
WINNER of the 2021 Tennessee Williams One Act Play Contest
In the near future, a robot named Laura has joined a high school to see if it can learn as humans do. Two girls, Ruth and Teri, decide that the superiority of computers would make Laura the perfect class president. When Laura helps Madison, the school bully, with her math homework, she adopts Laura as her best (and perhaps only) friend, and joins the campaign. After a disastrous assembly ends their election dreams, Madison learns that loneliness can’t be answered by a machine.