The Men’s Peer Education group at Watson College is dedicated to unpacking and exposing male privilege. These “sensitive guys” believe that through increased self-awareness they can end sexual violence on campus; but when a shocking rumor surfaces, the group is shaken to the core. Sensitive Guys features a cast of women and gender nonconforming actors, double-cast as male and female characters, who try to understand men who are trying to understand masculinity.
Genre: Political
H*tler’s Tasters
Three times a day, every day, a group of young women have the opportunity to die for their country. They are Adolf Hitler’s food tasters. And what do girls discuss as they wait to see if they will live through another meal? Like all girls, throughout time, they gossip and dream, they question and dance. They want to love, laugh, and above all, they want to survive.
Les Deux Noirs
Set in the legendary Parisian café Les Deux Magots in 1953, LES DEUX NOIRS reimagines the meeting between Native Son author Richard Wright and essayist/activist James Baldwin. It explores the tension between Baldwin’s searing critiques of Native Son and Wright’s unbridled indignation in response—a confrontation between two mighty African-American artists, with echoes of a present-day rap battle.
The Far Country
In the wake of the Chinese Exclusion Act, an unlikely family carries invented biographies and poems of longing on an arduous journey from rural Taishan to Angel Island Detention Center, in hopes of landing in San Francisco. Intimate and epic, THE FAR COUNTRY weighs the true cost of selling the past for the hope of a brighter future.
Eleanor
ELEANOR is an up-close-and-personal examination of the most important First Lady in history, the times in which she lived, and the personal cost of being the largely private wife of a public figure, President Franklin D. Roosevelt, who loomed larger than life at a time when this nation, and the world at large, needed it most.
Click
A techno-thriller that begins when a young woman is raped at a fraternity and ends in a future where corporations promise a new body with the swipe of a screen, CLICK follows a hacktivist named Fresh who turns industrial espionage into high art. As this virtual Banksy takes over the global imagination, the man who stole her life develops a technology that sends the two of them on a collision course at the heart of the corporate empire, where innovation comes at any cost. A cyberpunk drama for the #MeToo era, a story of trauma, transformation and reclaiming who you are.
Born With Teeth
“Oh Jesus bless us, he is born with teeth!
And so I was, which plainly signified
That I should snarl and bite, play the dog.”
—Henry VI, Part 3, Shakespeare & Marlowe
An aging ruler, an oppressive police state, a restless polarized people seething with paranoia: it’s a dangerous time for poets. Two of them — the great Kit Marlowe and up-and-comer Will Shakespeare — meet in the back room of a pub to collaborate on a history play cycle, navigate the perils of art under a totalitarian regime, and flirt like young men with everything to lose. One of them may well be the death of the other.
The Ballad of Emmett Till
THE BALLAD OF EMMETT TILL dramatizes the final days of Emmett Till, a Chicago teenager who takes a fateful trip to Mississippi in the summer of 1955. It is the story of a quest, Emmett’s pursuit of happiness, of liberty and ultimately of life.
This is the first play in The Till Trilogy, a three-play cycle which includes BENEVOLENCE and THAT SUMMER IN SUMNER, exploring the epic saga of Emmett Till and the birth of the modern Civil Rights Movement.
That Summer in Sumner
THAT SUMMER IN SUMNER is the middle drama in The Till Trilogy, a three-play cycle exploring the epic saga of Emmett Till. While the first play, The Ballad of Emmett Till, is the story of the boy, That Summer in Sumner explores the 1955 trial of his killers. While drawing upon trial transcripts, contemporaneous news accounts, and the abundant photographic and media imaging, the play is not a docudrama, but my imagined interpretation of behind the scenes events from the perspective of three African American journalists covering the trial and from Emmett, himself, his ghost, his cipher, his Kah, coming to grips with what has happened to him.
This is the second play in The Till Trilogy, a three-play cycle which includes BENEVOLENCE and THE BALLAD OF EMMETT TILL, exploring the epic saga of Emmett Till and the birth of the modern Civil Rights Movement.
Benevolence
BENEVOLENCE explores the impact of the 1955 murder of 14-year-old Chicago youth Emmett Till on two families in the Mississippi Delta, one white (the family of his killers), one black (their neighbors). When the daily routine of a country storekeeper is disrupted by a group of buoyant teens, one of whom whistles at her, from that chance encounter, she is swept into a whirlwind of violence, prosecution, deceit and delusion that pursue her till the end of her days. In a nearby town, an auto mechanic and his wife struggle to hold their family together after his infidelity, but when he witnesses evidence of Till’s murder, the incident tears at the very fabric of their lives. Based on actual events, the third play in Bayeza’s THE TILL TRILOGY grapples with the enduring legacy of American racial violence through this intimate story of two women in quest of love and redemption.
America in One Room
When eight strangers receive an invitation to the America in One Room event in 2019, promising robust discussions on a wide range of social and political topics, sparks fly, tempers flare, and comedy abounds. At a time when everyone thinks they’re right, it will take more than political debate to find common ground. Inspired by the real-life convention of the same name, AMERICA IN ONE ROOM is a comedy-drama that tackles our nation’s past, present and future (and even employs a little audience participation) to answer the question: is there hope for our country?
Julio Ain’t Goin’ Down Like That
It is the morning after the brutal murder of Julio Rivera, a gay Puerto Rican man in Jackson Heights, Queens. The murder became the first gay hate crime tried in New York State during the 1990s. In Julio Ain’t Goin’ Down Like That, the community reacts and is taken on a journey of self-discovery by a fabulously unapologetic queen personifying the beauty and brutality of Jackson Heights. The play is an examination of the political and societal environment of Jackson Heights.