Diana and Max meet at 9 years old, the day their parents start having an affair. In the ensuing decades, they see each other through highs and lows, trying not to make the same mistakes their parents did. A play about trying not to fall in love with your best friend so you end up hating them.
Length: 100-120+ Minutes
A full-length show that runs approximately 100 minutes or longer.
The Smuggler
WINNER of the Best Playwright Award at Origin Theatre’s 1st Irish Festival
THE SMUGGLER is a Thriller in Rhyme. It’s 2023. Tim Finnegan is an Irish immigrant trying to make it as a writer on Amity, an affluent summer colony in Massachusetts, where tensions flare between the migrant and local communities after a fatal car crash. When he loses his job as a bartender, Tim gets drawn into the dark underbelly of the island. THE SMUGGLER examines how far one man will go to restore his self-respect and asks the question, “What does it mean to be an American citizen today?”
17 Minutes
17 MINUTES is the length of time Sheriff’s Deputy Andy Rubens stood outside of a school while a shooter was inside. The play 17 MINUTES explores the communal and residual effects of a shooting through Andy, a man who struggles with his own complicity in the tragedy, and who seeks meaning in the wake of the shooting.
Tales From Red Vienna
It’s 1920 in Vienna. Stefan was killed in the Great War, and his widow Heléna is bereft. A woman without means, Heléna is forced to do whatever she can to survive. Set as an enormous political tide is turning throughout Europe, TALES FROM RED VIENNA explores the effects of war on women, the circumstances that control their lives, and the dreams that set them free.
The Magician’s Daughter
The magician Prospero and his daughter Miranda dazzle their audiences until the day Miranda quits. This funny, bittersweet play dives deep into the ups and downs of a father-daughter relationship. Viewer discretion advised if you have a father or a daughter (or know anyone who does).
A Measure of Cruelty
After a horrifying act of bullying, one of the perpetrators, Derek, is hidden away by a recently discharged, traumatized soldier Buddy, who hides Derek away in his father Teddy’s bar in the days after the crime. In a blistering 80 minutes all three men have to face each other, themselves, and the dangerous, antiquated, but still potent, definitions of masculinity they all inherited.
Romeo and Juliet Walk Into A Bar
A small midwestern college decides to stage Shakespeare’s classic tale of young star-crossed lovers, Romeo and Juliet with an all female cast. Add in a mysterious guest director with dubious credentials and a bizarre show concept, and anything might happen. Can the students rescue the bard from being hijacked? A smart, hilarious, thoroughly contemporary look at what the Bard might mean to us today.
Grace’s Land 2.0
Grace is a teenage Spoken Word champion, but can’t seem to complete a simple poetry homework assignment. Accompanied by her piano playing, hip hop dancing and visual artist girlfriends, she designs a virtual land of her own, Grace’s Land 2.0, where they’re free of fixed identities, of the pandemic, of micromanaging parents, and the need to fit into the boxes assigned by others.
Franklinland
The story of growing up as the only son of Benjmain Franklin: the greatest scientific mind in the world, inventor of the lightning rod and the urinary catheter and the glass harmonica and bifocal glasses and, oh yeah, in his spare time the United States of America.
Fairycakes
What happens when those woodland fairies aren’t busy with the business of A Midsummer Night’s Dream? Why, it seems they all have jobs in some of our favorite fairy tales and have very sad love lives—that is, until Puck finds the famous flower touched by Cupid’s arrow. It’s all about love and kindness and accepting change. And it’s funny. Oh, and it rhymes.