After an incident with an abusive partner leaves Maddie’s nine- year-old daughter Caroline with a broken arm, the two are forced to make a hasty escape. Hoping her own long-estranged mother will take them in ten years after Maddie’s catastrophic struggles with addiction, Maddie—now eight years sober—decides to bring Caroline to her childhood home. But when their surprise arrival receives a less-than-warm welcome, Maddie struggles to navigate her and Caroline’s future as trust is challenged, ultimatums are made, and the past proves impossible to forgive or forget.
Length: 75 to 90 Minutes
A full-length show that runs approximately between 75-90 minutes.
Dear Alien
A shambolic reclusive advice columnist known professionally as Dear Alien is in crisis. He has a deadline of yesterday for a collection of his columns; if he doesn’t turn it in, he’ll be broke and in danger of eviction. But the agonizing predictability of readers’ questions is driving him mad, his editor is showing alarming signs of romantic interest, and online trolls are making threats, in this existential comedy about how to live in our postmodern world.
The Three Sisters of Weehawken
Olga, Masha and Irina dream of going to Manhattan. There it lies, a mere fifteen-minute ferry ride from their home in Weehawken, New Jersey. But that ferry ride may as well be a mission to Mars. As they remain, yearning, decade after decade the walls of their home crowd in until they can barely move at all. Borrowing as much from Beckett as Chekhov, The Three Sisters of Weehawken wonders at the forces that keep us from following our dreams and begs the question — “what makes a life, a life?”
Never Fear, Shakespeare
Long before he became the world’s most famous playwright, William Shakespeare was simply a dramatist trying to write plays that would keep the theatre open. When sixteen-year-old Ben Shoe discovers the magic of the stage, he runs away to London, where he joins Shakespeare and the Lord Chamberlain’s Men, learning that making theatre requires equal parts imagination, determination, and collaboration. Filled with humor, heart, history, and Shakespeare’s greatest words, NEVER FEAR, SHAKESPEARE is a joyful adventure celebrating the timeless magic of live theatre and the people who make it happen.
Lowcountry
After losing his career and family, David, a man of colour in rural South Carolina, struggles to make ends meet and regain contact with his young son. In exchange for David’s friendship and obedience, his mentor, Paul, a wealthy, white retiree, promises legal and material help. But when David invites Tally, a charming out-of-towner with a secret agenda, for an illicit evening at his apartment, their electric romance alters all three lives in shocking ways.
The Last Yiddish Speaker
Sarah and her father, Paul, have fled NYC and are hiding in plain sight as Mary and Paul Tate in upstate, NY. It’s eight years after the successful January 6th insurrection and anyone who isn’t White and Christian has fled the country or been “disappeared.”
They’ve almost made it through their first year when, late one night, an ancient, Yiddish-speaking woman is deposited on their doorstep with a note, “It’s your turn to hide her. Good luck.” They must grapple with whether to protect her or turn her in and save themselves.
Love Somebody Now
With a score from award-winning composer Andrew Lippa (THE ADDAMS FAMILY, BIG FISH), LOVE SOMEBODY NOW features original songs combined with songs from eight of his most beloved shows woven into a new, original, sung-through, dialogue-free, dramatically staged story by Nathan Brewer and Matthew Webster.
The musical follows two single women who head out to a restaurant and meet their respective partners. Throughout the course of the show, those new couples each have a child, those children fall in love with each other and are eventually married. The empty nesters are left to figure out the third chapter of their lives—one couple is better off together, and the other is better off apart.
With a cast of six (4 women, 2 men) and brand-new arrangements and orchestrations for 5 musicians, the show captures the full arc of love over many years—not just the initial attraction, but the risk and commitment involved towards moving forward each day with hope and belief.
Never Can Say Goodbye
NEVER CAN SAY GOODBYE: The ’70s Beehive Musical is the electrifying new musical in the spirit of the beloved BEEHIVE: The ’60s Musical. Produced by TRW Production, this dynamic new installment captures the empowering spirit, cultural revolution, and bold style of the 1970s, driven by a soundtrack of iconic hits made famous by artists like Gloria Gaynor, Heart, and Linda Ronstadt. From heartfelt ballads to glittering disco anthems, the show is a high-energy tribute to sisterhood, self-expression, and the unforgettable music of a transformative decade.
Magdalene
This play is inspired by the Gospel’s writings of Matthew, Mark, Luke and John and another Gospel, the fragmented GOSPEL OF MARY MAGDALENE. Mary Magdalene’s Gospel, discovered in 1896 in Cairo, Egypt, continues her story, describing a subsequent meeting with the Apostles.
The Catholic Church has consistently diminished the role of women throughout its history. Only recently has Mary Magdalene’s influence been acknowledged and early claims trying to diminish her as a prostitute dismissed. This play attempts to look at the early, tumultuous history of the church through the eyes of a major figure largely excluded from it.
Mary
In first-century Nazareth, Mary, an unmarried teenage girl, finds herself pregnant. If she cannot “sort this out” it will likely spell death. But then… could it not perhaps be something else? Something glorious?