After losing his career and family, David, a man of colour in rural South Carolina, struggles to make ends meet and regain contact with his young son. In exchange for David’s friendship and obedience, his mentor, Paul, a wealthy, white retiree, promises legal and material help. But when David invites Tally, a charming out-of-towner with a secret agenda, for an illicit evening at his apartment, their electric romance alters all three lives in shocking ways.
Length: 75 to 90 Minutes
A full-length show that runs approximately between 75-90 minutes.
The Last Yiddish Speaker
Sarah and her father, Paul, have fled NYC and are hiding in plain sight as Mary and Paul Tate in upstate, NY. It’s eight years after the successful January 6th insurrection and anyone who isn’t White and Christian has fled the country or been “disappeared.”
They’ve almost made it through their first year when, late one night, an ancient, Yiddish-speaking woman is deposited on their doorstep with a note, “It’s your turn to hide her. Good luck.” They must grapple with whether to protect her or turn her in and save themselves.
Love Somebody Now
With a score from award-winning composer Andrew Lippa (THE ADDAMS FAMILY, BIG FISH), LOVE SOMEBODY NOW features original songs combined with songs from eight of his most beloved shows woven into a new, original, sung-through, dialogue-free, dramatically staged story by Nathan Brewer and Matthew Webster.
The musical follows two single women who head out to a restaurant and meet their respective partners. Throughout the course of the show, those new couples each have a child, those children fall in love with each other and are eventually married. The empty nesters are left to figure out the third chapter of their lives—one couple is better off together, and the other is better off apart.
With a cast of six (4 women, 2 men) and brand-new arrangements and orchestrations for 5 musicians, the show captures the full arc of love over many years—not just the initial attraction, but the risk and commitment involved towards moving forward each day with hope and belief.
Never Can Say Goodbye
NEVER CAN SAY GOODBYE: The ’70s Beehive Musical is the electrifying new musical in the spirit of the beloved BEEHIVE: The ’60s Musical. Produced by TRW Production, this dynamic new installment captures the empowering spirit, cultural revolution, and bold style of the 1970s, driven by a soundtrack of iconic hits made famous by artists like Gloria Gaynor, Heart, and Linda Ronstadt. From heartfelt ballads to glittering disco anthems, the show is a high-energy tribute to sisterhood, self-expression, and the unforgettable music of a transformative decade.
Magdalene
This play is inspired by the Gospel’s writings of Matthew, Mark, Luke and John and another Gospel, the fragmented GOSPEL OF MARY MAGDALENE. Mary Magdalene’s Gospel, discovered in 1896 in Cairo, Egypt, continues her story, describing a subsequent meeting with the Apostles.
The Catholic Church has consistently diminished the role of women throughout its history. Only recently has Mary Magdalene’s influence been acknowledged and early claims trying to diminish her as a prostitute dismissed. This play attempts to look at the early, tumultuous history of the church through the eyes of a major figure largely excluded from it.
Mary
In first-century Nazareth, Mary, an unmarried teenage girl, finds herself pregnant. If she cannot “sort this out” it will likely spell death. But then… could it not perhaps be something else? Something glorious?
Tuba!
When Jessica, an impressionable freshman, joins the tuba section of the marching band at a major football university in Texas, she is forced to confront her identity as a non-Spanish speaking latina. She and her newfound family of ragtag tuba players, on the precipice of entering the “real world,” explore their perceived identities, created identities, and forced identities through the lens of the tuba section—the most identifiable group in the marching band.
Trespassers
When a progressive suburban attorney invites his son—freshly pardoned for crimes committed during the January 6th uprising—into the upscale home he shares with his African-American partner, the reunion explodes into a darkly comic battle over guns, race, and America’s fractured pride. Blending tense domestic realism with sharply satirical humor, TRESPASSERS creates a world in which menace and laughter live side by side. The result is an unsettling portrait of a nation in crisis, asking whether reconciliation is even possible when ideology, prejudice, and denial trespass into our most intimate spaces.
Back to the Drawing Board
Can submitting cartoons to the New Yorker magazine result in true love or a dream career? Two cartoonists are about to find out in this middle-aged romantic comedy complete with projected cartoons for a unique theatre experience.
At the Wake of a Dead Drag Queen
Courtney Berringers would like to welcome you to her wake! But—make no mistake—this ain’t your grandma’s funeral. AT THE WAKE OF A DEAD DRAG QUEEN is an imaginative one-act play that uses magical realism, mythology, drama, and drag to tell the story of a pair of drag queens living (and dying) in rural Georgia in 2004. From African Gods and Goddesses to Trina and Whitney Houston, AT THE WAKE OF A DEAD DRAG QUEEN explores identity, illness, and the celebration of Black, queer life in the rural south. Come party at the wake. Bring your own heels!