With a score from award-winning composer Andrew Lippa (THE ADDAMS FAMILY, BIG FISH), LOVE SOMEBODY NOW features original songs combined with songs from eight of his most beloved shows woven into a new, original, sung-through, dialogue-free, dramatically staged story by Nathan Brewer and Matthew Webster.
The musical follows two single women who head out to a restaurant and meet their respective partners. Throughout the course of the show, those new couples each have a child, those children fall in love with each other and are eventually married. The empty nesters are left to figure out the third chapter of their lives—one couple is better off together, and the other is better off apart.
With a cast of six (4 women, 2 men) and brand-new arrangements and orchestrations for 5 musicians, the show captures the full arc of love over many years—not just the initial attraction, but the risk and commitment involved towards moving forward each day with hope and belief.
NEVER CAN SAY GOODBYE: The ’70s Beehive Musical is the electrifying new musical in the spirit of the beloved BEEHIVE: The ’60s Musical. Produced by TRW Production, this dynamic new installment captures the empowering spirit, cultural revolution, and bold style of the 1970s, driven by a soundtrack of iconic hits made famous by artists like Gloria Gaynor, Heart, and Linda Ronstadt. From heartfelt ballads to glittering disco anthems, the show is a high-energy tribute to sisterhood, self-expression, and the unforgettable music of a transformative decade.
This play is inspired by the Gospel’s writings of Matthew, Mark, Luke and John and another Gospel, the fragmented GOSPEL OF MARY MAGDALENE. Mary Magdalene’s Gospel, discovered in 1896 in Cairo, Egypt, continues her story, describing a subsequent meeting with the Apostles.
The Catholic Church has consistently diminished the role of women throughout its history. Only recently has Mary Magdalene’s influence been acknowledged and early claims trying to diminish her as a prostitute dismissed. This play attempts to look at the early, tumultuous history of the church through the eyes of a major figure largely excluded from it.
In first-century Nazareth, Mary, an unmarried teenage girl, finds herself pregnant. If she cannot “sort this out” it will likely spell death. But then… could it not perhaps be something else? Something glorious?
When Jessica, an impressionable freshman, joins the tuba section of the marching band at a major football university in Texas, she is forced to confront her identity as a non-Spanish speaking latina. She and her newfound family of ragtag tuba players, on the precipice of entering the “real world,” explore their perceived identities, created identities, and forced identities through the lens of the tuba section—the most identifiable group in the marching band.
When a progressive suburban attorney invites his son—freshly pardoned for crimes committed during the January 6th uprising—into the upscale home he shares with his African-American partner, the reunion explodes into a darkly comic battle over guns, race, and America’s fractured pride. Blending tense domestic realism with sharply satirical humor, TRESPASSERS creates a world in which menace and laughter live side by side. The result is an unsettling portrait of a nation in crisis, asking whether reconciliation is even possible when ideology, prejudice, and denial trespass into our most intimate spaces.
Can submitting cartoons to the New Yorker magazine result in true love or a dream career? Two cartoonists are about to find out in this middle-aged romantic comedy complete with projected cartoons for a unique theatre experience.
Courtney Berringers would like to welcome you to her wake! But—make no mistake—this ain’t your grandma’s funeral. AT THE WAKE OF A DEAD DRAG QUEEN is an imaginative one-act play that uses magical realism, mythology, drama, and drag to tell the story of a pair of drag queens living (and dying) in rural Georgia in 2004. From African Gods and Goddesses to Trina and Whitney Houston, AT THE WAKE OF A DEAD DRAG QUEEN explores identity, illness, and the celebration of Black, queer life in the rural south. Come party at the wake. Bring your own heels!
CREDITORS is the suspenseful tale of two men who meet at a seaside resort in Sweden—a sculptor and a mysterious stranger—only to discover that they have something unexpected in common; a woman. In Wright’s adaptation of Strindberg’s forgotten masterwork, all three characters engage in a deadly game of wits, opening old wounds and inflicting fresh ones. Written in 1888, the play still bears its ferocious sting, and is reminiscent of the most contemporary erotic thrillers with its blend of toxic desire and wicked intent.
MONTY PYTHON’S EDUKATIONAL SHOW School Edition is the only authorized collection of Monty Python sketches and songs available for performance. This brand new show is the genius of Monty Python in a hilarious 80 minute musical revue, written for performance by young actors. Featuring “Cheese Shop,” “Argument Clinic,” “Lumberjack Song,” “Dead Parrot,” “Galaxy Song,” and many more Python gems are included, with a decidedly irreverent ‘edukational’ theme.
The music and light choreography are a breeze and your authorized performance materials include, scripts, scores, sound effects and…the real Terry Gilliam animations, easily projected or sent to monitors in full color HD! These animations are available only for use in licensed productions of the show and no other use of any kind is permitted.
MONTY PYTHON’S EDUKATIONAL SHOW School Edition has been adapted from the original production. The School Edition has been carefully edited, with additional director’s notes throughout, to make the show more producible for high school groups. Song keys have been adjusted to sit more comfortably in the range of high school performers. In some cases problematic language has been changed, while in others an alternate choice is offered at the discretion of the director.
