Four survivors of a storm-sunken pirate ship—the legendary Isabella, Neptune’s bastard daughter; pirates Jenny (a runaway whore) and Sally (an electrified girl); and the Viscountess Marlene (a drag queen)—seize a half-wrecked ship crewed only by Captain Joppa and two sailors, young Jack and ex-slave Horatio. Joppa is determined to get back to the war. Isabella has other plans. Amidst time lurches, shifting loyalties, hearts lost and secrets revealed, the seven souls find themselves without wind or current on a slowly sinking ship, until an unexpected event offers either hope or doom.
Length: Full-Length
A full-length play or musical, in one act or two, that is 75 minutes or longer.
The Broken Machine
In this climate-chaos comic-tragedy, a burnt-out coder has become a hermit in the wilderness, nursing a broken arm and making lists from memory—of endangered species, moments of Lost Time, Incorrect States of Mind—in company with her only friend, a gray fox with a bad attitude. When wildfires approach, they flee through the wilderness to the sea, pursued by feckless would-be rescuers and threatened by a punk psychopomp.
According to the Chorus
In the basement quick change room of a Broadway theater in the mid-1980s, the chorus girls are at war with their dressers. Will the new dresser, with her own sad past and uncertain future, be able to navigate this minefield?
ACCORDING TO THE CHORUS is a funny, nostalgic behind-the-scenes look at a pivotal period in the history of Broadway where women’s issues and the AIDS crisis play out through the everyday lives of Equity performers and union dressers.
Four Children
Four teenagers who lived thru genocides in Armenia, Cambodia, Sarajevo and the Holocaust tell their stories in the diaries they kept, curated to to convey the tragic similarities between them. Diary entries are read by the actors, accompanied by solo cello.
Adapted from When Broken Glass Floats by Chanrithy Him (Cambodia), The Diary of Dawid Sierakowiak (Poland), My Childhood Under Fire: A Sarajevo Diary by Nadja Halilbegovich (Sarajevo) and To the Desert: Pages from My Diary by Vahram Dadrian (Armenia).
Fortune
Maude, a lonely, surly, storefront psychic has accepted that love is not in the cards for her. She can see the future and knows this to be true. But when Jeremy, a despondent love-hungry accountant threatens to end it all if she sees no love for him, she must wrestle with fate, and in changing his destiny, change her own.
Tell Me Something Good
TELL ME SOMETHING GOOD is a patchwork play that attempts to explore and consider all the ways that we get lost in the world. It is a collection of intertwining, pathos-rich character studies in the form of scenes and monologues, all traversing the landscape of the human condition—love, desire, ache, longing, disillusionment, loneliness—and the power of human connection. Every character is experiencing something of an existential tipping point. A beautiful, meaningful piece of theater that will leave its audience touched and then moved by its sublime reach.
With monologues, two-person scenes, and larger ensemble moments, TELL ME SOMETHING GOOD offers a flexible cast size, a modular scene structure, rich character development, and meaningful LGBTQ representation.
The Three Sisters Brontë
Set against the bleak and windy Yorkshire moors in the 1800s, THREE SISTERS BRONTË follows the lives of the Brontë sisters as they struggle to find creative prosperity while navigating the harsh realities of male society. Faced with limited opportunities for scholarly women, Charlotte, Emily, and Anne live in the rich worlds of their imaginations, dreaming of life in London, until they are forced to face the truth that nothing is certain, and their destinies are best served when held firmly in their own hands. As their brother Branwell descends into madness and their father grows blind, the three sisters must find a way to make their own living in an era when men of means asked “the woman question”: what does society do with educated unmarried women? Inspired by THREE SISTERS by Anton Chekhov, who reportedly read THE LIFE OF CHARLOTTE BRONTË a few years earlier before his play opened, THREE SISTERS BRONTË explores the parallels in the lives of the real life Brontës and the fictional Prozorovs.
Cyrano De Bergerac
CYRANO DE BERGERAC is brand new adaptation in verse of the famous crowd-pleasing tale of love, honor, and panache, by way of a warrior-poet with a huge nose and a huge complex about it.
Which Way to the Stage
The years is 2015 and Jeff and Judy are right where they’re supposed to be: waiting outside the stage door of the Broadway musical If/Then hoping to meet their idol. But the conversation they have while they wait will change the course of their decades long friendship forever. A playful yet profound comedy about friendship, ambition, and the traps and triumphs of femininity.
Endlings
On the Korean island of Man-Jae, three elderly haenyeos—sea women—spend their dying days diving into the ocean to harvest seafood. They have no heirs to their millennia-old way of life. Across the globe on the island of Manhattan, a Korean-Canadian playwright, twice an immigrant, spends her days wrestling with the expectation that she write “authentic” stories about her identity. But what, exactly, is her identity? And how can she write about it without selling her own skin?