It is the morning after the brutal murder of Julio Rivera, a gay Puerto Rican man in Jackson Heights, Queens. The murder became the first gay hate crime tried in New York State during the 1990s. In Julio Ain’t Goin’ Down Like That, the community reacts and is taken on a journey of self-discovery by a fabulously unapologetic queen personifying the beauty and brutality of Jackson Heights. The play is an examination of the political and societal environment of Jackson Heights.
Length: Full-Length
A full-length play or musical, in one act or two, that is 75 minutes or longer.
Bruise & Thorn
Bruise and Thorn are Nuyorican, queer, and tired af of their jobs at a busted up laundromat in Jamaica, Queens. But not for long: Bruise is saving up to become a chef (like on Chopped!), and Thorn spits bars on street corners, one America’s Got Talent audition away from becoming the Boricua Nikki Minaj. When the laundromat’s basement turns out to be an illegal cockfighting ring, the cousins can’t tell if this is an opportunity to cash out and become their most fabulous selves—or a trap to keep them locked into what everyone expects them to be.
Alligator Mouth, Tadpole Ass
ALLIGATOR MOUTH, TADPOLE ASS is a twistedly queer memory play about a troubled man in 1986 looking for answers at Miss Chelley’s Fortune Shop in NYC. Instead of the answers he craves, he connects with a young man working there whose memory is constantly triggered by their incredibly intense connection. They cruise and dance their way through the past leading them to a dangerous night of improper role play.
Thirst
Thirst is set in the kitchen as Eugene O’Neill’s classic Long Day’s Journey Into Night simultaneously takes place in the living room. It is a story where passion, wit and beauty bubble to the surface as two Irish servant women and an American chauffeur pass that day in 1912 at the Tyrone’s Monte Cristo Cottage.
The Prom: School Edition
Four eccentric Broadway stars are in desperate need of a new stage. So when they hear that trouble is brewing around a small-town prom, they know that it’s time to put a spotlight on the issue… and themselves. The town’s parents want to keep the secondary school dance on the straight and narrow—but when one student just wants to bring her girlfriend to prom, the entire town has a date with destiny. On a mission to make a difference, the Broadway stars team up with the courageous student, leading to a transformation that brings everyone together in the name of love and acceptance.
Winner of the Drama Desk Award for Best Musical, THE PROM expertly captures all the humour and heart of a classic musical comedy with a message that resonates with audiences now more than ever. Now a major Netflix movie, THE PROM continues to inspire and entertain with its blend of heart, humour, and show-stopping musical numbers that resonate with audiences of all ages.
THE PROM School Edition has been adapted from the original Broadway production. The School Edition has been carefully edited, with additional director’s notes throughout, to make the show more producible for secondary school and college groups/performers. Song keys have been adjusted to sit more comfortably in the range of secondary school and college performers. In some cases, problematic language has been changed, while in others an alternate choice is offered at the discretion of the director.
Little Women
This all-new musical, based upon Louisa May Alcott’s beloved 19th century novel, vividly brings to life the March family of Concord, Massachusetts. In a time of war and sacrifice, Jo, Meg, Amy, and Beth, guided by their mother Marmee, grow from girls into women, through romance and courtship, illness and loss, loving and letting go. Kim Oler and Alison Hubbard’s moving Richard Rodgers Award-winning score, by turns funny and touching, is seamlessly matched by Sean Hartley’s wise and witty book. This is a LITTLE WOMEN like none you have ever seen or heard before.
Romy and Michele
Two of the quirkiest and most endearing best friends in pop culture make their musical theater debut in ROMY AND MICHELE THE MUSICAL, based on the 1997 cult hit film.
Romy and Michele are two lovable, inseparable best friends whose relationship is put to the test when they invent fake careers to impress people at their 10-year high school reunion. Through the delightful “where are they now” reveal aimed at the inner high-schooler in all of us, these irrepressible heroines triumph over past insecurities to stand tall amongst their peers. Featuring a book by the film’s screenwriter, Robin Schiff, and an all new ’80s and ’90s pop/rock-inspired score from Gwendolyn Sanford and Brandon Jay, ROMY AND MICHELE THE MUSICAL is the coolest thing since the invention of Post-its®.
Miss You Like Hell: School Edition
When a whip-smart, deeply imaginative teenager agrees to take a road trip with her free-spirited Latina mother, neither can imagine where it will take them. Chance encounters with a medley of characters along the way bring them closer to understanding what sets them apart—and what connects them forever. At the heart of the story is a mother-daughter relationship complicated and threatened by immigration policies. MISS YOU LIKE HELL reminds us that musicals have the power to explore the exposed territory where political becomes personal.
This never-more-timely story features a book by Pulitzer Prize-winning book writer of IN THE HEIGHTS, Quiara Alegría Hudes, and compelling, original songs by Erin McKeown that are every bit as diverse and eclectic as America. MISS YOU LIKE HELL is a new musical that exudes the joy, love and frustration of being a family in a changing country.
MISS YOU LIKE HELL School Edition has been adapted from the original Off-Broadway production. The School Edition has been carefully edited, with additional director’s notes throughout, to make the show more producible for high school groups. Song keys have been adjusted to sit more comfortably in the range of high school performers. In some cases, problematic language has been changed, while in others an alternate choice is offered at the discretion of the director.
I Love You Because: School Edition
I LOVE YOU BECAUSE is a charming, modern-day reimagining of PRIDE AND PREJUDICE, set against the backdrop of bustling New York City. This witty and heartfelt musical follows an uptight, rule-bound greeting card writer whose world is upended when he meets a free-spirited photographer with a mind of her own. As their unlikely romance unfolds—mirroring the sparks and clashes of Austen’s beloved characters—they navigate love, misunderstandings, and the meddling of their delightfully eccentric friends and siblings.
With humor, heart, and a touch of Regency sensibility in a contemporary world, I LOVE YOU BECAUSE celebrates the idea that true love isn’t about perfection, but about embracing each other’s flaws—because of, not in spite of, them.
I LOVE YOU BECAUSE School Edition has been adapted from the original Off-Broadway production. The School Edition has been carefully edited, with additional director’s notes throughout, to make the show more producible for secondary school and college groups/performers. Song keys have been adjusted to sit more comfortably in the range of secondary school and college performers. In some cases, problematic language has been changed, while in others an alternate choice is offered at the discretion of the director.
The Other Josh Cohen
Enter the quirky world of Josh Cohen’s New York City apartment… as it is getting robbed. Thus begins the hilarious rock-and-roll romantic comedy about good guy Josh, caught in a lifelong battle with bad luck. Broke and alone, all hope seems lost—until a mysterious letter arrives that changes his life forever.
Two actors play the hapless-yet-warmhearted title character—one eventful year apart—in a 90-minute laughfest for the whole family that will leave you feeling better about the world. With dozens of quirky, charming roles played by a small ensemble or a large cast, which can allow for actor-musicians or a pit band, the show is a valentine to romance.
Nominated for six Drama Desk Awards and the Lortel Award for Outstanding Musical, this hilarious, endearing and hummable musical was hailed by Jesse Green of The New York Times as “a spontaneously charming musical that is just right for right now.”