5 Reasons To Produce BARE

BARE is a show I have always been a fan of. Is it a “pop opera” or a “musical”? Who’s to say. These days it seems the show has become a one name diva, like Cher or Madonna. Okay, perhaps that is a bit extreme, but the show holds a special place for me. See that photo above? Circa 2007, I was rocking the Catholic school uniform on stage myself. October in the USA is LGBT History Month and we just celebrated National Coming Out Day on October 11th. This is the perfect opportunity for me to ramble about reasons you should be producing this show.

You could cast this show however you’d like. As far as I recall, there isn’t anything specific in the material that would prevent casting an actor from any background. The only thing that comes to mind is a lyric Ivy sings about “blue eyes” to Jason.

TRW Announces Acquisition of Jersey Boys

Theatrical Rights Worldwide (TRW) President and CEO Steve Spiegel announced today the acquisition of exclusive representation for stage performance rights to Broadway’s Tony Award®-winning Best Musical, JERSEY BOYS. “I’m happy to announce the signing of a long-term agreement for the Stock and Amateur rights to Jersey Boys. I’m proud to be the home of this truly great Broadway show,” Spiegel said, shortly after closing the deal, from his office in TRW’s Times Square headquarters.

JERSEY BOYS joins TRW’s major licensing assets MONTY PYTHON’S SPAMALOT, MEMPHIS, THE ADDAMS FAMILY, THE COLOR PURPLE, ALL SHOOK UP, GHOST THE MUSICAL, BIG FISH, RING OF FIRE, CURTAINS, SATURDAY NIGHT FEVER, and a select group of Theatre for Young Audiences (TYA) and Off Broadway and Regional Theatre musicals.

Spiegel Takes Full Ownership of Theatrical Rights Worldwide

Musical theatre licensor Theatrical Rights Worldwide (TRW), founded by President & CEO Steve Spiegel in 2006, announces Spiegel’s acquisition of full ownership of the company. The venture was initially a partnership between Spiegel and Northwater Capital, an international IP fund based in Toronto.

Spiegel spoke briefly from TRW’s New York City offices as the deal was signed: “I’m immensely proud of what we’ve created at TRW, first as a start-up, then as a growing business and now as a fully-realized premier Broadway licensing house. Throughout my thirty-five years in this business I’ve enabled theatrical participation and performance for high schools, professional and community theatres, youth groups, national tours and all our customers around the world,” Spiegel said.

Striking 12 Director’s Chat

Why did you choose STRIKING 12?
STRIKING 12 is one of those little known gems of a musical, created by a band called GrooveLily, and later transformed into the “book musical” that we are presenting. The show is a wonderful blend of musical styles – rock, pop, folk, musical theatre – that combine to put a modern twist on a story as old as, well, Dickens and A Christmas Carol.

What’s the story?
The central character, The Man Who’s Had Enough, is at the end of the year and the end of his rope. Nothing seems to make him feel better about himself and everything around him until he meets, quite by accident, a girl selling “full spectrum holiday light bulbs” as a way to overcome the holiday season blues.