PLANTATION BLACK is a compelling tale that unfolds through two distinct timelines, delving into the history of the Prioleau family. For nearly two centuries, since 1822, the Loch Dhu Plantation in South Carolina has remained under the ownership of the Prioleau family, comprising both White owners and the Black slaves they once possessed. In the year 2017, the White Prioleau descendants reach out to their Black counterparts in an attempt to resolve the ownership of the land and the distribution entitlements. They all have the same last name and share common biological ancestors. However, their bonds are as deep as the paper claiming half of the Prioleau tree as property.
Genre: Historical / Period
The Salonnières
In pre-Revolutionary Paris, Madeleine, a young girl fresh from her convent school, is promised in marriage to an older nobleman to pay off her father’s debts. She flees to the literary salon of her late mother’s friends, aristocratic women who conceal radical politics within reinvented folk tales. When her promised husband shows up too, the women must use their wits to save Madeleine. But in the end, the maid Françoise is revealed as the real hero of a story they didn’t realise they were in.
The Seagull
Irína Arkádina is a famous—but fading—actress in Russia at the turn of the last century. She and her lover, Boris Trigórin, a well-known author, arrive at her brother Sórin’s country estate for the summer, just as son Konstantín is staging an experimental new play he’s written and directed, starring his girlfriend, Nína. Konstantín wants to find “new forms of theater,” but Arkádina is far more traditional—and not about to let anyone forget that she’s the star in the family. Her snide comments during the performance enrage Konstantín, who stops the show and storms off. In Konstantín’s absence, Nína comes out and is introduced to Trigórin. Nína is soon enthralled by the successful author, which starts a love affair—and the ensuing jealousies and anger—that will eventually ruin lives.
Hook’s Tale
Captain James Hook (née Cook), badly maligned by a certain play and despised by generations of Peter Pan fans, finally gets to clear his name. The good Captain, with the aid of his friend Smee, tells his life-story in this family-friendly play, recounting his friendship with and ultimate betrayal by Peter Pan, his romance with Tiger Lily, his familial relationship with the Darling family, and his adoption of a lovable crocodile named Daisy. In narrating his tale, he uncovers the hidden treasure of Neverland, discovers the identity of his long-lost father, and learns the importance of growing up and growing old.
Franklinland
The story of growing up as the only son of Benjmain Franklin: the greatest scientific mind in the world, inventor of the lightning rod and the urinary catheter and the glass harmonica and bifocal glasses and, oh yeah, in his spare time the United States of America.
Frankenstein
This new, fully faithful stage version of Mary Shelley’s horror classic proves that the novel wasn’t merely ahead of its time, but that it’s as relevant as ever in the 21st Century. Opening and closing in the arctic and telling the full story, not only of Victor Frankenstein, Elizabeth, Henry, and his family, but that of The Creature as well, including the exiled Parisian family and their savior, Safie. As the epic story unfolds and Victor and his Creature go to battle, Shelley’s themes — the responsibility of creation, obsession and revenge, love and hate, and, ultimately, devotion and abandonment — emerge, and as The Creature, bit by bit, destroys Victor’s life, we see that the monster knew more about being human, from the beginning to the tragic conclusion, than its human creator ever did.
Good Hair
At a small Catholic school in 2017, Florence has just been banned from all school related activities thanks to her hair, and is forced to decide how she will make her stand. Inventor Annie Malone’s hair products at the turn of the 20th century revolutionized mobility for Black women, but her biggest supporter and critic, Sarah Breedlove, believes they are only scratching the surface of success. In a fantasy universe, a struggling leader decides to make a deal with a demon to battle against a foe that she will never be able to tame—western beauty standards.
Told through three entangled timelines, Good Hair weaves together the lives of women and the central question: Does the cost of beauty outweigh the proof of science?
In The Upper Room
A play about family secrets, gossip, colorism, voodoo and the magic of the stories we grow up hearing.
Meet the Berrys, a multi-generational Black family living under one roof in the 1970s. Their lives orbit around Rose, a strong-willed matriarch whose superstitions and secrets drive her relatives nuts. Through pointed wit and playful sarcasm, the family elders share fantastical stories about their collective past that call into question the family hierarchy and inspire the youngest generation to take pride in their heritage (and physical appearance). Tender, comedic conversations between tight-knit relatives are interspersed with moments of intense drama that mirror the internal conflicts every family must face at some point.
H*tler’s Tasters
Three times a day, every day, a group of young women have the opportunity to die for their country. They are Adolf Hitler’s food tasters. And what do girls discuss as they wait to see if they will live through another meal? Like all girls, throughout time, they gossip and dream, they question and dance. They want to love, laugh, and above all, they want to survive.
Les Deux Noirs
Set in the legendary Parisian café Les Deux Magots in 1953, LES DEUX NOIRS reimagines the meeting between Native Son author Richard Wright and essayist/activist James Baldwin. It explores the tension between Baldwin’s searing critiques of Native Son and Wright’s unbridled indignation in response—a confrontation between two mighty African-American artists, with echoes of a present-day rap battle.