Z, a gay teenager, and his father live together in a crumbling old house in rural Georgia. When Z discovers a trove of mysterious love letters among his late grandfather’s belongings, he goes on a journey of self discovery that just may have the power to wake the dead. THE MAGNOLIA BALLET is a Southern Gothic fable about a Queer Black boy, his father, and the ghosts that live in the walls of their old family home.
Genre: LGBTQ+
At the Wake of a Dead Drag Queen
Courtney Berringers would like to welcome you to her wake! But—make no mistake—this ain’t your grandma’s funeral. AT THE WAKE OF A DEAD DRAG QUEEN is an imaginative one-act play that uses magical realism, mythology, drama, and drag to tell the story of a pair of drag queens living (and dying) in rural Georgia in 2004. From African Gods and Goddesses to Trina and Whitney Houston, AT THE WAKE OF A DEAD DRAG QUEEN explores identity, illness, and the celebration of Black, queer life in the rural south. Come party at the wake. Bring your own heels!
Desdemona’s Child
Desdemona’s child comes back to the town in which they were raised, haunted by the ghost of Beautiful D, and with a desire to come to terms with trauma from their past. In this town, trouble rages, as a climate of hate threatens to overtake all. A flood and a whole lotta honest witnessing may start to turn the tide of human darkness. This play is set in modern-day US, freely inspired by and set in the wake of Shakespeare’s Othello.
Goat Blood
Pablo and Owen thought they were in for a simple double date with two women they’d just met at a bar. Instead, under the cover of night, something ancient is watching them. Something hungry.
For Pablo, the darkness hides more than just nerves—it holds a past he’s spent years trying to outrun. When the Chupacabra emerges from the shadows, the night turns to terror, and their evening spirals into a desperate fight for survival. But this is no ordinary monster. It is hunger and grief. It is guilt and memory. It is the thing Pablo has feared facing ever since the night he lost his little brother.
As the creature closes in, the men must confront not just the beast, but their own buried truths—about where they come from, what they want, and what they are willing to do to stay alive. Because sometimes, the most relentless monsters are the ones we carry inside.
Bridge
Frances, Mary Todd and Janie, intelligent, sociable ladies, learn that Sally, the urbane new “fourth” in their bridge club, is transgender. The revelation prods Frances to address painful memories. Mary Todd, wrestling with moral issues, is challenged by her specially-abled son J-Pat. With wisdom and wit, Janie puts it all in perspective. And J-Pat provides a poignant unexpected insight. The bridge club survives: the three remaining members must search for a “fourth”—again. BRIDGE is a compassionate dramedy, that examines how people react when they encounter the new, the unknown or the misunderstood.
Rip Tide
When he was twenty-three, Edgar Oliver found The Pyramid Club in New York City. This long-gone ghost of Avenue A became a home for all artists and outcasts, and the first stage Edgar ever performed on in the city. In the dark recesses of this magic theatre, Edgar found the voice that brought all the sorrow and glory, the solitude and companionship of his early life into the hearts of his audience. The Pyramid Club created the beautiful, heart-broken, and triumphant person he is today.
What Doesn’t Kill You
A witty contemporary comedy that follows one person’s journey through a heart attack, a gay marriage, an obsession with Cher, and a trip to a concentration camp. So, yes, it’s a comedy!
According to the Chorus
In the basement quick change room of a Broadway theater in the mid-1980s, the chorus girls are at war with their dressers. Will the new dresser, with her own sad past and uncertain future, be able to navigate this minefield?
ACCORDING TO THE CHORUS is a funny, nostalgic behind-the-scenes look at a pivotal period in the history of Broadway where women’s issues and the AIDS crisis play out through the everyday lives of Equity performers and union dressers.
Which Way to the Stage
The years is 2015 and Jeff and Judy are right where they’re supposed to be: waiting outside the stage door of the Broadway musical If/Then hoping to meet their idol. But the conversation they have while they wait will change the course of their decades long friendship forever. A playful yet profound comedy about friendship, ambition, and the traps and triumphs of femininity.
Well Met by Moonlight
This eight-person adaptation of A Midsummer Night’s Dream places us at Hermia’s wedding rehearsal dinner, where she is trapped into marrying Demetrius, threatening to tear her away from her true love Lysander. When dressmaker Bottom fits her into her wedding gown, Hermia faints and awakens in a magical landscape—part frolic, part dream, part nightmare. In her Wizard of Oz-like hallucination her parents transform into Titania and Oberon and friends and lovers couple and uncouple until, at last, Hermia escapes to be with her true love.
Zoey’s Perfect Wedding
Saying “I do” was the easy part – this hilarious commentary on commitment is every bride’s worst nightmare. Disaster after disaster follows her down the aisle, from brutally honest boozy speeches to a totally incompetent wedding planner and friends too preoccupied to help with the wreckage around them. A wildly funny play about love, relationship, expectations, and the courage it takes to find what truly makes us happy.
Silver Foxes
SILVER FOXES is a contemporary comedy taking place in a time worn but iconic mid-century Palm Springs home. The plot revolves around Chuck and Benny, two 60ish gay men, now ex-lovers, still figuring out their post-relationship relationship. While their buddy Jerry’s much younger lover is in town, they discover their oldest and dearest friend, Cecil, has been forced back into the closet while living in a homophobic independent living facility. This “chosen family” is forced to take charge of Cecil’s future in order to help him live out his life with pride and dignity. Thematically the play explores gentrification, home and body maintenance, and the realities of growing older at all ages in the LGBTQ+ community.